field report no.101216

LOCATION: Town Hall NY.NY
SUBJECT: Caetano Veloso

OBSERVATIONS:
I will admit to vaguely hoping this Caetano Veloso show was going to be with a full-band. I've only seen him once before, and just earlier this year, despite years of obsessing over his music. That first show was a similarly acoustic setting, pairing him with his longtime friend Gilberto Gil. Given that Caetano rarely plays the US (outside of New York—and maybe LA or Chicago) this might also be one of the last times I would get to see him. It would have been nice to diversify. Of course, it's fairly quibbling to gripe about getting to see a titan of music, someone who dominates more than one generation of their country's music, twice in one year.

Brazilian music, built upon the foundation bossa nova is a curious beast. It's inherited the passion of fado, the groove of samba and the phrasing of jazz. The best Brazilian tunes are so effortlessly graceful they're both rapturous and conversational; divinely casual. The chords and harmonies may yearn but the delivery is ever breezy and carefree. Caetano himself is steeped in the traditions but also a fearless innovator. Solo, music from across his broad, 5-decade career show reunites songs that may have been divisive in their time to their bossa nova roots. 

It was also a treat to see the show at Town Hall. While nobody but the most shameless tourist wants to get that close to Times Square, the venue itself is steeped in jazz and NY history.

NOTES: Caetano Veloso, solo; Teresa Cristina
PRESENT: AMS; Jose A.

field report no.042116

LOCATION: BAM BK.NY
SUBJECT: Caetano Veloso & Gilberto Gil

OBSERVATIONS:
How do the Brazilians do it? That was my question as I watched a packed-house, 3-tier music hall sit in rapt silence as Gilberto Gil sang in a hush—almost a capella, simply keeping rhythm by tapping the body of his guitar. In total, the whole night was 2 hours of Caetano and Gil, alone on stage with nothing but microphones and their nylon-string guitars…that, and their plaintive, beautiful songs.

Their musical rapport is stunning. Sure, bossa nova is a shared heritage, but they've been in each other's orbit for decades now. Caetano introduced one song as the first they had ever written together… in 1963. That means their partnership is now 53 years old.

Caetano is in stunning voice at 73, dynamic and with emotive. If Gilberto's chords are a tad more weathered, there's still these amazing moments as if he's singing two notes at once, a sort of phantom harmony. The rhythms were subtle and supple. I've often idly wondered if the phrasing in Brazilian pop was more of a function of Portuguese as a language or bossa nova's proximity to jazz.

The night leaned heavily on their classics, I recognized plenty of tunes from their 60s and 70s albums, but they included some more recent material—even a song they wrote on this tour. They're both such beloved figures in Brazil, it was a treat to see them in NYC (which has a large Brazilian population). Hearing the audience's reactions—how each song was cheered, which ones they clapped or sang along to. It presented music that can be somewhat foreign (to someone who doesn't speak portuguese), as something present and very much in the fabric of a community.

NOTES: Caetano Veloso. Gilberto Gil.
PRESENT: AMS; Jared E.; Jose A.; Jesse S.