LOCATION: the Mothlight AVL.NC
SUBJECT: Circuit des Yeux
A trusted friend inveighed upon me to give Circuit des Yeux a listen, and seeing they were coming through town shortly, I opted to have my first experience be a live one. My report back to her was summed up as, "if Angels of Light had been Jarboe’s post-Swans project instead of Gira’s." Hayley Fohr's low contralto, laden with vibrato serves as the a centerpiece of an acoustic din that slowly coalesces, martially about her.
It was one those rare nights where it was worth arriving early. Every band on the ticket was worth the time and travel. The Nathan Bowles Trio was better than the first time I'd seen him, working a much more hypnotic folk motorik. The use of banjo and upright bass, oddly, made think of the politically separation of pitches in the Minutemen (of all things). Marisa Anderson understands how to use the electric aspect of her guitar. Her set was in the same no-mans-land between American Primitive folk picking and Morricone spaghetti western soundtrack that I'd file Earth under.
NOTES: Circuit des Yeux; Yeux; Marisa Anderson: Nathan Bowles Trio