The Sound of Silver

LCD Soundsystem, 2007

When LCD Soundsystem is firing on all cylinders, they're straotspheric. Even still, I approach every new missive with skepticism. Any band with that much knowing irony baked in makes it's hard to discern when you're an admiring fan or the butt end of a joke. LCD Soundsystem is practically a musical representation of the early-2000s rise of Brooklyn chic.

I came around to their second album, The Sound of Silver, via the astounding single, All My Friends. Or, rather, the cover of it—by the one and only John Cale—included as a b-side. While LCD, no doubt, wrote an exceptional (and surprisngly affecting) song, John Cale completely hijacks it. When I play All My Friends in my mind, it's Cale's voice I hear. It served it's purpose nonetheless, inspiring me to give the rest of the album a closer listen.

James Murphy & Co. know their craft. There's hardly a modern rock band that can compete with just how fucking well they put tracks together. Every sound in every song on Sound of Silver is in exactly the right, yet somehow unexpected place. They hug every curve, from the storming Us V Them and North American Scum, to the torch song closer of New York I Love You but You're Bringing me Down. The Sound of Silver is one near-perfect prismatic construction after another.