field report no.110817

LOCATION: Revolve AVL.NC
SUBJECT: Glenn Jones

OBSERVATIONS:
Sitting at the front a gallery listening room, flanked by his collection of guitars and banjos—each in a different tuning—Glenn Jones makes his finger-tangling folk songs feel effortless. Hands down, Jones is my favorite inheritor of John Fahey's American Primitive guitar innovations. His command of dynamics turns his instrumentals into it's own type of storytelling. Songs dip and swell, surge forward or hold back, like breathing things.

Before Fahey's reappraisal in the 90s, the lore of six-string folk was mostly an oral history, so Jones (like many of the apostles of the style) is an encyclopedic storyteller. He wove winding tales introducing each song—each tied to figures he's known. Jones grants you a glimpse of his private lore, tracing the titanic footsteps he knows he's followed, but he never fails to push those traditions further with his own accomplishments.

NOTES: Glenn Jones; House & Land
PRESENT: AMS; Angela F.