Since my podcast just crossed the 10-year mark and has stacked up 100 episodes, I thought I would publish a primer, of sorts—bringing together some of the best episodes, so far.
Admittedly, all my picks are latter day missives. My tools and methods evolved as the sndlgc series went on, so the earlier episodes feel more exploratory to me. There's still plenty of nuggets back there, though, if you care to dig. To get at the older episodes—as well as keep up with the continuing adventures—use this feed link to subscribe to the series in the player of your choosing.
no.1, Punks in the Post: End of Service Area
Hands down, this is the best mix I have ever made, in any format. I am well and truly obsessed with the post-punk era, and this is (in my humble opinion) one of the best collections of that music I've ever heard. It's deep, dense and thorough. I set up so so many rules as to how this would come together, but I navigated them all. It felt like ages, fiddling with the edits and levels. It digs deep into songs and bands you may not know yet, but when it turns to the familiar touchstones, it serves up obscure gems that still dazzle. Quite literally, I almost shuttered this podcast after I finished this mix.
(further listening: If I Had Only Known)
no.2, 2013 Recap
My year-end round-ups are fun as hell to make. Since the only theme is what's flipped my lid in the last 12 months, they span the breadth of my interests. I try to instill some semblance of a cohesive narrative from that smorgasbord of sound. This particular year, it flowed like all hell. There are leaps in audio-logic that shouldn't work, but fabulously do (Mary Halvorson into Melt-Banana?). I also just think 2013 ended up being a goddamn banner year for new music—all these songs still thrill me.
(further listening: 2011 Recap)
no.3, Pation Stations 4
This series, since it's inception, has been near and dear to my heart. Released as an annual Memorial Day BBQ mix, it's the soundtrack to the opening salvo of summer. My ideal here is a sort of gentle rocker: good time music that is not slamming or insistent, but never too melancholy or lethargic. This mix always displays a strong vein of 90s indie-rock that belies my age a little. I think of this as the music I put on to hang out with old friends—our shared nostalgia. Plus, there's just something about a track that nails that sweet spot of mellow cool that makes me think music is just supposed to sound like that.
(further listening: Patio Stations 8)
no.4, Oblique Portraits: Andrew Weatherall
This is a veritable techno and electro-pop thesaurus. My original idea was to feature legendary producer, Andrew Weatherall's career solely through his remix work for other artists, The resulting mix is eclectic and wide-ranging—yet entirely cohesive. This includes a slew of rare tracks, with a focus on the master transmorgifying rock bands into mutant-dance hybrids. Along the way, it ends up charting a chronological map through the first 20 years of what we now call electronica.
(further listening: Biscuits for… Dog Days)
no.5, Freeform Freakout
This one is not for the faint-of-heart. It's hard to find a place in the average podcast for my love of full-bore free jazz, so instead, I made an episode of only that. I selected songs that were (at least, at the time) rare or hard-to-find. Additionally, each of the seven tracks is presented in a readers-digest version (the originals ranged from 20 minutes to 2.5 hours). I tried to capture small portions from across the entirety of each song yet still retain a sense you were listening to a a complete work. This meant making more edits for 7 songs than I've done for mixes with 30 tracks or more. The end result is utterly insane.
(further listening: a forthcoming episode, Oblique Portraits: William Parker)