Cecil Taylor, 1973
When Ken Burns’ controversial documentary series on jazz finally deigned to bother with the developments of free jazz, Cecil Taylor earned the most ire. The retrograde traditionalist Branford Marsalis referred to Taylo’rs style as, ‘self-indulgent bullshit’ (notably the only swear word in the entire series). I knew then, that I had to find out more about Taylor.
Cecil Taylor was the very image of avant garde. His aesthetic proved impervious to the prevailing winds of trends or fashions. Unrelenting swells of tone clusters buffet the listener. Taylor’s performances were about endurance, and navigating the tune amongst the fury.
After immersing myself in much of Cecil’s career, I knew I wanted one of his solo records on vinyl. There is nothing quite these solo performances—especially from the 70s. I found this LP, Solo, used, at Other Music, when I lived in NYC. I’d never heard it before, in part because it was out-of-print (making it more appealing). It fit all the criteria: solo, 70s, live, with the added bonus of rarity.